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In , he set out for Paris, modernism's home in the years between the wars. Among the many vital legacies of his stay in Paris were his association with his teacher and mentor Nadia Boulanger; a growing interest in popular idioms; and the insight that there was as yet no American counterpart to the national styles being created by composers from France, Russia, and Spain.
He became determined to create, in his words, 'a naturally American strain of so-called serious music. When performed in New York under Walter Damrosch, the dissonant, angular work created a sensation. But Copland saw a broader role for himself than mere iconoclast.
He sought to further the cause of new music as a vital cultural force. He accomplished this not only by composing, but also by lecturing and writing on new music, and by organizing the groundbreaking Copland-Sessions concerts in New York, which brought many works of the European avant-garde to U.
As America entered first a Depression, and then a war, Copland began to share many of his fellow artists' commitment to capturing a wider audience and speaking to the concerns of the average citizen in those times of trouble. His intentions were fulfilled as works from Billy the Kid to Lincoln Portrait to the Pulitzer Prize-winning Appalachian Spring found both popular success and critical acclaim.
His decision to 'say it in the simplest possible terms' alienated some of his peers, who saw in it a repudiation of musical progress -- theirs and his own.
Aaroon 15, Tony rated it really liked it Shelves: Aarpn difference is a matter of degree, and not of kind. Copland also would conduct, teach, and write over the course of his prodigious career.
We may never like it, but it contains riches that deserve our effort and appreciation, like esxuchar other period and form.
It definitely enhanced immensely my listening skills and opened my mind to new works and composers with which I was previously unfamiliar. As a bonus, at the end of each chapter he offered suggestions on what recordings were most likely to be of benefit in filling in on the topic of the chapters. This book should be read by anyone who studies music, loves music, or just claps their hands everytime the song Handclap comes on the radio at work.
After Copland stopped composing, though he continued to lecture and conduct through the mids. Refresh and try again. What to Listen for in Music by Aaron Copland. What better educator on classical music than Aaron Copland? A basic and helpful introduction to music for someone like me, i.
What to Listen for in Music by Aaron Copland One of the most endearing aspects of Copland is his insistence on the necessity of msuica to and appreciating various genres of music. This was a required book for a very basic music appreciation course I had to take. Mar 16, Tara Brabazon rated it it was ok. To ask other readers questions about What to Listen for in Musicplease sign up. Copland begins with an explanation of what music is and how it functions, moves to instruments, then to forms, adds an apologist chapter for contemporary music, and finishes with a chapter of what it means to be a good listener and the very significant role listeners play in the participation of the music creation.