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Manual editing of metadata on the device view is not allowed. Note that this option specifies sending metadata, not books. The book files on the reader are not changed.
Collections for a book will never be removed by calibre, but can be removed by you by editing on the device view. Connecting the reader to one library will reset the metadata to what is in that library. Connecting to the other library will reset the metadata to what is in that other library. Metadata in books found in both libraries will be flopped back and forth. If you do need to reset your metadata due to problems caused by using both at the same time, then just delete the media.
With recent reader iterations, SONY, in all its wisdom has decided to try to force you to use their software. If you install it, it auto-launches whenever you connect the reader. The simplest is to simply re-name the executable file that launches the library program.
More detail in the forums. This app is maintained by a core calibre developer and allows calibre to connect to your Apple device wirelessly, just as though you plugged in the device with a USB cable. You can browse files on the device in calibre and use the Send to device button to transfer files to your device wirelessly.
Another easy way to browse your calibre collection from your Apple device is by using the calibre Content server, which makes your collection available over the net.
The Content server allows you to read books directly in Safari itself. In addition, there are many apps for your iDevice that can connect to the calibre Content server. Examples include: Marvin, Mapleread and iBooks itself. See The calibre Content server for details on running the server and finding out the right IP address to use. You will see a list of books in Safari, tap on any book and you will be given the option to either download it, or read it in the browser itself.
If you choose to download it, Safari will ask you if you want to open it with iBooks. Using a USB cable — or wirelessly, over the air. The first step to using an Android device is installing an e-book reading application on it. Note With newer Android devices, you might have to jump through a few hoops to get the connection working, as Google really does not want you to be independent of its cloud.
First, unlock the screen before plugging in the USB cable. When you plugin in the USB cable you will get a popup notification.
Finally, you might get a popup on the device every time calibre or the operating system actually tries to connect to it, asking for permission, tap OK. This app is maintained by a core calibre developer and allows calibre to connect to your Android device wirelessly, just as though you plugged in the device with a USB cable. You can browse your calibre collection on your Android device by using the calibre Content server, which makes your collection available over the net.
You can now browse your book collection and download books from calibre to your device to open with whatever e-book reading software you have on your android device. Calibre Companion and many reading apps support browsing the calibre library directly.
You can now browse the calibre library and download directly into the reading software. Can I access my calibre books using the web browser in my Kindle or other reading device? See The calibre Content server for details. In that case, change the port in the calibre Preferences to On some operating systems, you may not be able to run the server on a port number less than because of security settings.
In this case the simplest solution is to adjust your router to forward requests on port 80 to port Also some devices do not have browsers advanced enough to run the app-like interface used by the content server. I cannot send emails using calibre? The most common problem is if you are sending email directly without a mail relay in calibre.
Many servers for example, site block email that does not come from a well known relay. If you are sending to your Kindle, remember to update the email preferences on your site Kindle page to allow email sent from your GMX email address. Even after doing this, you may have problems. One common source of problems is that some poorly designed antivirus programs block calibre from opening a connection to send email.
Try adding an exclusion for calibre in your antivirus program. So, when using these services to send mail calibre automatically restricts itself to sending one book every five minutes. Note Google recently deliberately broke their email sending protocol SMTP support in an attempt to force everyone to use their web interface so they can show you more ads.
They are trying to claim that SMTP is insecure, that is incorrect and simply an excuse.
Note If you are concerned about giving calibre access to your email account, simply create a new free email account with GMX or Hotmail and use it only for calibre. Linux kernels mount devices read-only when their filesystems have errors. You can repair the filesystem with: sudo fsck.
Only Kobo seems to understand that life is too short to be entering collections one by one on an e-ink screen : Note that in the case of the Kindle, there is a way to manipulate collections via USB, but it requires that the Kindle be rebooted every time it is disconnected from the computer, for the changes to the collections to be recognized. Getting all the production freelancers to work the same way is kind of a big task.
Asking editors to think about image descriptions from the early editorial phase is giving another task to an already over-burdened employee. Finding money in the budget to download some assistive technology is asking for water from a stone. But being able to produce one ebook for all the vendors because of streamlined workflows is going to make production cheaper.
And adding accessibility offerings to your marketing materials will be satisfying. I promise. The gobbledy-gook that InDesign spits out, for example, needs to be fixed up.
This particular tool — while democratic in that everyone likely already has it and is using it — needs a lot of nudging to export cleanly coded ebooks. I would go so far as to say that the ID export needs a lot of heavy lifting to turn it into a well-built ebook.
So, what does that mean? Be cautious to use emphasis and strong tags meaningfully. The semantically meaningful tags means that content that is skippable or outside the linear flow of a books is marked as such, that because sections and subsections are marked it will be easy to locate oneself in the ebook no matter what technology or RS the reader is using.
Think of them as the bones of the document, the outline of the elements which are common to print books highlighted for digital. This is called semantic inflection and means that reading systems can interpret the markup competently.
Semantically meaningless markup ruins the reading experience, if not makes it downright impossible. Make it go five heading levels deep.
More than two levels will be invisible to most reading systems but will be available in some environments and to assistive technology. While you are building a deep navigation compile a list of figure, maps, illustrations, images, etc.
Build a print-equivalent page-list, marking all the print page breaks for an even more meaningful navigation. EPUB 3 is all about being able to navigate into the content in a variety of ways. Use it to full effect. This one is hard, particularly for traditional print publishers. The print design works for print and only print. Be very cautious about bringing your paper thinking onto the screen.
Typographic conventions had to convey meaning in print because print is one-dimensional. These conventions are still useful for sighted readers, but are now the wrong place to be carrying meaning.
Visual-only cues — colour, font size, positioning — are lost to print-disabled readers. Presume it will happen to every single ebook you touch by making sure that meaning is derived from the markup not just the design. Doing so addressed the situational disability of not being able to view the entire table comfortably, by creating another disability — limited visual access to the content. I have heard a snippet of French in the middle of English content get read aloud in a French accent by a text-to-speech reader.
Technology is amazing! Use alt text or more complex aria-described-by. Build thinking about alt text in the embryonic stage of editorial development. Image descriptions should come from someone editorially involved in the content. If scripting is involved in advancing the content, be sure to provide fallbacks. This one is complex and a bit above my pay grade.
There are a number of schema. Consider using this metadata free advertising for your ebooks. Also, see this post. Even the invention of writing. From the perspective of the twenty-first century, such resistance seems incomprehensible, almost ridiculous. What kind of knob would say no to the written word?