Meta Modern Era by H.H. Shri Mataji Nirmala Devi. Preface · Chapter 1: Modernism Chapter Message Of Meta Science · Chapter The Subtle System. Meta Modern Era (Italian Edition) Shri Mataji Nirmala Devi. In questo libro la Read Online Meta Modern Era (Italian Edition) pdf era. The particular book untitled Meta Modern Era (Italian Edition)is the main of several books that everyone. Meta Modern Era by Shri Mataji Nirmala Devi - Shri Mataji Nirmala Devi is widely recognized as one of the greatest living spiritual personality.
|Language:||English, Spanish, Arabic|
|Genre:||Health & Fitness|
|Distribution:||Free* [*Registration Required]|
Meta Modern Era by Shri Mataji Nirmala Devi is a loving, compelling and powerful book that introduces a tangible spiritual breakthrough for the 21st century. Meta Modern Era book. Read 5 reviews from the world's largest community for readers. The most difficult part is to convince a human being that in the en. Sri Mataji's book 'Meta Modern Era' is available to download here · Home | Mac stuff | Art & Design | Opinions | Music | Movies | Books. Sri Mataji.
The metamodern as an emerging paradigm was first mentioned in , by Nirmala Devi in Meta Modern Era, a cultural and spiritual manifesto that pinpointed the foibles of modernity and postmodernity and suggested common sense, balance, and 1 inner transformation as remedies. The metamodern is an interrogation into the roots of modernity. Can we simply invert that big 6? Perloff captures an impatience with postmodernism as a period term and a cultural paradigm, and announces the imminence of another phase.
Similarly, in Meta Modern Era Devi proposes that ideas and practices will be different in the meta modern paradigm that she prefigures, the people of which would have both experienced the freedoms of postmodernism and chosen to follow self-imposed rules as part of their journey to individuation.
Rules of conduct, in this case are no longer imposed by tradition, social convention or practice, but arrived at through experience, and reshaped in a state of higher innocence. Similarly, the post- postmodern paradigm that we inhabit and which we now call metamodern draws on traditions that had been rejected and then revisited; it structures around boundaries the defiance or acceptance of which is a matter of personal choice.
Individuals assume perspectives from which paradigms and traditions integrate, while the fragmented postmodern self becomes a whole in metamodernism as in the trencadis, a visual metaphor that Kidman uses in This Change in the Light. The element of cohesion, indeed the agent of synthesis, is often love or care for the others in texts written both before and after s.
Alone in the strange city of Weyville, physically and emotionally abused, despondent Harriet finds an unexpected friend in Leonie, the orphan girl from the bookshop. Leonie feeds Harriet, gives her the comfort of an attentive ear, and finds her a job in the library, a position she herself would have liked to have, had she had School Certificate. In the postmodern age, Kidman writes metamodern prose that is arresting in its simplicity and depth, in its sincerity and authenticity.
A Breed of Women is the story of a singular woman from her adolescence in the NZ village of Ohaka to fame, from Spartan conditions and troubled questions about sexuality, the soul and God, to prosperity, experience, and a personal value system. She is shaped by traditions that she questions to invent her own. However, her experiences seem now close to what everyone would have experienced, her self- exposure still daring and fresh now, thirty-six years after the book was first published in , that her tribulations, universal despite them being entrenched in provincial NZ, are now as fascinating and engaging as ever.
A Breed of Women demonstrates that metamodernism as a mode defies the stricter understanding as a period term applicable to developments that start manifesting in the last decade of the twentieth century.
As a mode, metamodern elements such as the search for self-realization, for harmonizing the agencies of the self, for deep answers to age-old questions in spite of systems and dogmas, and attempts to go beyond - meta - the rationality of modernity and its constructs may coexist with postmodernism as a period, while the explanatory value of metamodernism is still being articulated, by which I mean that it has not yet reached its full potential.
It may be the case that metamodernism is re-invented in each text or work of art, while the sum-total of such pieces articulate the metamodern paradigm. Harriet Wallace is a metamodern character who is not afraid to ponder the big questions - epistemological what can I know?
She rides the watershed between postmodern disappointment with absence and modernist longing for the ineffable that can never be achieved. However, her epiphany by the river shows that a sense of presence and a feeling of connection can be experienced, even if shadowed by the passing of time The crossing of boundaries between religious denominations, social dogmas and strata, systems and hierarchies, marks Harriet.
She does not, however, give in to modernist uprootedness or postmodern drifting. She picks the best in all worlds, weaving her own belief system, her own values, in a synthesis and a syncretism that are metamodern. With adolescent directness, she reaches to the roots of received value systems, selecting what is valuable to her.
Nevertheless, her selection is not an exclusively rationalistic exercise, being instead a lived experience that involves her whole person. The feeling of presence, the sense of connection, of the possibility of a dialogue with the Other during the epiphany by the river 24 , are so satisfying that she remembers it after years, even when she had ceased believing.
Her relationship with the Other will be replaced by relationships with others, and with the self.
New connections will be invented with people, as experiences that provide meaning and joy. The s were hugely important in a European context, as the years that consolidated the effects of the Fall of the Berlin Wall in , and of the anti-communist revolutions in Central and Eastern Europe.
The exhilaration of freedom set against fear and hatred, meaningfulness versus meaninglessness. The sense of two possible futures persists even now. More than in when I drafted the first research proposals on metamodernism in culture and literature,2 I feel that we are suspended as a species between the possibility of openness and evolution, and the opposite option of giving in to the cycle of terror and aggression.
In NZ, the s were a distinctive decade, when the foundations for what we call now metamodernism were laid. The search for authenticity becomes crucial, occasionally more intense than engaging with linguistic games and experimentation, which nonetheless continue to be an important aspect of literature in NZ to this day.
And she offers a solution for attaining that stage, a transformation in human awareness which is now possible for every human being. It is beyond the normal limitations of the human to say something about truth so emphatically.
And if such a person not only announces but manifests that truth as reality and expresses it in his life and work, then one should after all pay serious attention to such a personality. Such a person is a saint, or a seer, a greatly evolved soul, whose unique individuality is free of all taints of egoism and conditionings. He is, we might say, meta-modern and does not care for the limitations of rational understanding, the norms imposed by the cult of money or the power orientations of fads and fashions in modern times".
Like the film of the same name, we are caught in modern times like Charlie Chaplin's tramp, repeatedly and mechanically tightening the widgets on the conveyor belt long after the machines have stopped running. The meta modern man or woman does not do things out of dull habit.
They do not serve the machines, the economy, the fad or fashions. Nor will he create destructive ideas in the minds of the people.
On the contrary, whatever he does is constructive and compassionate and creates peace over his entire area of activity. Because it serves the interests of a fuller and more perfect life and promotes human ascent, his work is of an eternal and absolute nature".
Most writers who have authored books about the new millennium have a concern in the territory they have staked out.
They are part of it, writing from within the animal they are trying to dissect. Shri Mataji writes from beyond the limits of our culture. As an Indian, she knows the streams of Eastern culture, but as a Christian-born wife of a former United Nations diplomat and as a long time resident of Britain and Italy, she knows the foibles, the ambitions, the backwaters of our culture.
As a woman of the spirit, she is beyond and above both worlds. And, as a mother, she cares deeply about what is happening to us. She does not only observe and criticize. She has compassion. And she has a solution. She writes of the knowledge of a yet unawakened energy of extraordinary potential within each of us. She tells us in her book of the language of chakras and energies. She describes the power of pure knowledge called as "kundalini".