A Publishers Weekly and Kirkus Best Book of the Year Growing up as brothers in a small town in Pakistan, Jeo and Mikal were inseparable; however. Editorial Reviews. Review. Praise for The Wasted Vigil: "With astonishing lyricism and The Blind Man's Garden - Kindle edition by Nadeem Aslam. Download it. Download PDF The Blind Man's Garden. Authored by Nadeem Aslam. Released at Filesize: MB. To read the document, you will have Adobe Reader.
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The Blind Man's Garden Moving among the sensuous gardens, Christian and Muslim schools, contested mosques and villages, and scarred battlefields of. The Blind Man's Garden book. Read reviews from the world's largest community for readers. The acclaimed author of The Wasted Vigil now gives us a sea. The Blind Mans Garden Nadeem Aslam Free Similar PDF's. Posted on August 06 , Nadeem Aslam in Conversation In. he published The Blind Man's.
The two young men — equally opposed to the Taliban and the US — are not intending to fight, but want to help the wounded. However, they have been betrayed even before they set off, and soon find themselves forced to defend a Taliban stronghold against American-backed rebels. In the ensuing battle Jeo is killed, while Mikal is captured by a warlord who sells him as a "terrorist" to the Americans; they proceed to interrogate him, Bagram-style.
Counterpointing this plot is a quieter, more reflective story centred on Rohan himself. He is an interestingly problematic figure whose religious convictions, though sympathetically portrayed, at one time caused him to withhold medication from his dying wife.
He hoped to force her to re-embrace the religion she had rejected, and thereby save her soul from eternal torment. In him the conflicting passions of pious spirituality and ordinary human love are tragically combined.
Still in mourning for his wife, he is as religious as ever, though appalled by the fundamentalists who have taken over his school.
This isn't the kind of novel in which characters change or evolve much: they are what they are. Emotion is done imagistically, via quick, finely sketched details of light and landscape that set small precise moods.
Flora and fauna are wonderfully observed — moths "like shavings from a pencil sharpener"; a tree trunk "twisted as though struggling with some unseen force" — forming a decorative braid around the frequently brutal human interactions they coincide with.
A clash seems to have occurred between an incomplete understanding of the East and an incomplete understanding of the West.
Q: In the novel foster-brothers Jeo and Mikal go to Afghanistan to offer medical skills, not joining the Taliban in combat.
Could you explain their motivations? A: They are decent human beings. The idea of consequence entered my own life through Islam—as a child I was told that if you do a bad thing the consequences would be bad.
If you do good, the consequences would be good. I am referring of course to Heaven and Hell, Sin and Virtue. I am just explaining how these lessons came to me—given my social background and the household I was born into—and it was through Islam. I am perfectly aware of how religion can be corrupted, what psychological damage the idea of Divine punishment and Divine reward might cause—but that is a different conversation.
As for Mikal and politics, several of my uncles and my father were people of the left in Pakistan.
I am deeply grateful to my father for having instilled in me a contempt for money, for profit. I always say that I vote every time I write a sentence. Q: Tell us about your writing process.
A: I often write in isolation, avoiding all contact for weeks and months, and even blacking out my windows. It is a habit I developed when I was younger and had no money. In order to make the best use of the time I had, I wished to eradicate distractions as much as possible.
I was quite a dreamy adolescent and I think part of it still survives—I can get lost in the movements of an insect or watch the falling rain. So I would black out the windows and stay in and write.
How did you prepare yourself to write about his experience? A: There was no conventional method of research available to me.
I wanted to know whether blindness is white, whether it is black, or silver, or golden. A year went by and I had no information. I did it again the following year, and then again the year after that. The book took four and a half years to write so in total I was without my eyes for three weeks.