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Then when you want to take a photograph, you can just move your camera very subtly to your eye, and click a photo. Because with an LCD screen, we look more like a tourist. Not only that, but it is less obvious who we are taking a photo of.
I used to do it a lot, but the problem if you can never frame accurately. Rather, try to shoot without your viewfinder, but just use the LCD screen if you have one.
The funny thing is that you can stand really close to someone, and still take candid photos of them not really noticing. Just look at your subject through your viewfinder or LCD screen— avoid making eye contact. See their reaction.
Rather— try to go to the most crowded area of town. That might be in the downtown area. Or perhaps at a mall. Or maybe at the city next-door. The benefit of shooting in a crowded or touristy area is that you disappear into the crowd. Assignment: Look like a tourist Another assignment you can do is to look as much of a tourist as possible.
Wear a bright-yellow fanny-pack. Generally I find more people will ignore you, or not really give you any flak for shooting in the streets. The concept is that you walk around the streets with your camera glued to your eye, or your eyes glued to your LCD screen. Assignment: degree video Try to go to a busy area, and stand in the center.
Then hold your camera to your eye or LCD screen up, and turn around degrees and slowly take photos all around you. See how others react to you. This is often how Henri Cartier-Bresson got a lot of his famous shots the bicycle shot comes to mind.
He would pre-visualize his composition, setup his framing and camera, then just wait for someone to enter the scene, to complete the image. The more patient you are, the more likely you are to catch a good fish. But at the same time, there are days you will catch no fish no matter how good of a fisherman you are. Assignment: Fish for 30 minutes Find an interesting scene, background, or wall, and wait there for 30 minutes.
Try to wait for the right person to walk by the wall, to create some sort of interesting juxtaposition or scene. Take a lot of photos, and then when you go home, choose the best one. Rather, try to capture hand-gestures.
By capturing hand-gestures, you will have more dynamic images. Not only that, but your photos will have more emotion. Assignment: Hand-gestures Simple: only photograph hand gestures for an entire day. See how many different hand gestures you can observe and capture. The solution especially if your camera has slow autofocus is this: use zone-focusing. The concept of zone-focusing is this: you manually pre-focus your lens to a certain distance I like 1.
Then when you go out and shoot, only take photos of people 1. By having a high ISO your shutter-speed will be relatively fast. For example, with a 35mm lens, if you pre-focus to 1. Focus on the subject furthest-away from you If you want to add more depth and layers to your candid street photos, focus on the subject furthest away from you in the frame. When we start off in photography, the beginner technique is to always focus on what is closest to us.
But by focusing on what is furthest away from us and having a subject in the foreground , you will have more depth, layers, and intrigue in the frame. Assignment: Pre-focus to 5 meters For a day, pre-focus your lens to 5 meters, and try to add more elements in your foreground, to add more layers and depth. When in doubt, click Whenever you see a street scene that you think might be a good photo, just click.
Just take the photo. Personally, I have hesitated too much in my street photography, and as a result, have missed thousands of potentially good shots. Not only that, but if you see a good scene, take many photos.
Make many different versions of a potentially good scene, and the more likely you are to get a good shot. Conclusion These are 10 brief tips for candid street photography. I feel the best thing about candid street photography is the sense of thrill, excitement, and spontaneity that comes around. When we look at old street photos of the past, we reminisce on the nostalgic images of Andre Kertesz, Henri Cartier-Bresson, Robert Doisneau, and many others.
Why black and white street photography? Of course in the past, when photography first started off, there was only black and white. When color photography first got introduced to the world, it was used for mostly amateur snapshots. Nowadays times are different. Modern digital cameras boast impressive image quality, with billions of different gamuts of color.
With technology, we are able to post-process our photos however we would like. Yet there is still a charm for black and white photography.
For me, I love black and white because of the simplicity, minimalism, and the ability to get rid of distractions and clutter.
Black and white photos tend to age well— because the aesthetic is timeless.
Furthermore, black and white give us a chance to focus on the essence of a scene. Often color can be a distraction. Black and white or color are just different ways to shoot street photography.
Choose what works better for you. If your heart is drawn to black and white, here are some tips and suggestions I would give you to shooting monochromatic street photography: 1. See the world in monochrome To see the world in black and white is different from seeing the world in color. For me, when I look at the world in black and white, I look for the following: Contrast between lights and darks Shapes, forms, lines. Can run and include money people of this Page to participate mysteries with them.
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